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Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944)
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Dada (sometimes called Dadaism) is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design.The movement was a protest of the barbarism of the war; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist. He was born in Hanover, Germany, but lived in exile from 1937.. Schwitters worked in several genres and media, including Dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art.
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. [1]
DaDa is the eighth solo studio album by American rock singer Alice Cooper, released in September 1983, by Warner Bros. Records. DaDa would be Cooper's final studio album until his sober re-emergence in 1986 with the hard rock album Constrictor .
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.