Search results
Results from the WOW.Com Content Network
Hannah Höch with her puppets, Dada-Messe, Berlin, 1920. Hannah Höch (German:; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. [1]
The Match Seller (German: Streichholzhändler) is a 1920 oil painting with collage elements by the German Dada and Neue Sachlichkeit artist Otto Dix.Completed one year after the end of World War I (then known as the Great War), the composition depicts a crippled and homeless veteran match seller who is ostensibly ignored by bourgeois passersby on a street in Germany.
Raoul Hausmann (July 12, 1886 – February 1, 1971) was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques would have a profound influence on the European Avant-Garde in the aftermath of World War I.
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. It began in Zürich, Switzerland, in 1916, and spread to Berlin shortly thereafter. [33] To quote Dona Budd's The Language of Art Knowledge, Dada was born out of negative reaction to the horrors of World War I.
Despite her traditional artistic education, she continued until the end of life to create her works using a collage technique that combined clippings of print media. In "Dada - review" different fragments of text and images depict a grotesque political kaleidoscope. The collage is a sectional view of the period after World War I.
DaDa is the eighth solo studio album by American rock singer Alice Cooper, released in September 1983, by Warner Bros. Records. DaDa would be Cooper's final studio album until his sober re-emergence in 1986 with the hard rock album Constrictor .
Regarding the art of collage, Ernst said, "It is the systematic exploitation of the coincidental or artificially provoked encounter of two or more unrelated realities on an apparently inappropriate plane and the spark of poetry created by the proximity of these realities." [4] The central focus of the painting is a giant mechanical elephant. It ...
Suzanne Duchamp-Crotti (20 October 1889 – 11 September 1963) was a French Dadaist painter, collagist, sculptor, and draughtsman. Her work was significant to the development of Paris Dada and modernism and her drawings and collages explore fascinating gender dynamics. [1]