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The bonus features on the 2003 DVD include a photo gallery, scans of the tour programme, and a tour documentary. Some copies of the original 1989 VHS releases included a 3" CD of "Domino" from the video, indexed as two tracks ("In the Glow of the Night" and "The Last Domino"). The set list features six of the eight songs from Invisible Touch. A ...
The Invisible Touch Tour was a worldwide concert tour by the English rock band Genesis. The tour began on 18 September 1986 in Detroit and ended on 4 July 1987 in London. [1] London dates at Wembley Stadium were filmed for a video release entitled Genesis Live at Wembley Stadium. The group earned as much as $300,000 a night in North America ...
"Invisible Touch" "Turn It On Again" DVD extras: Interviews – with Collins, Rutherford, and Banks. Camera Angles – Sixteen camera angles are used throughout the disc. Slide Show – Still images captured from the tour and set to music. Original Tour Programme. Commentary with Collins, Banks, and Rutherford. LaserDisc extras: "No Son of Mine"
Invisible Touch was recorded between October 1985 and February 1986 at The Farm, the band's private recording studio in Chiddingfold, Surrey. [11] [10] They were joined by engineer and producer Hugh Padgham, who had worked with the band since Abacab (1981) and produced the album with the group, with Paul Gommersall as assistant engineer. [12]
The 5-CD/5-DVD box set includes newly remixed versions of the albums Genesis, Invisible Touch, We Can't Dance, ... Visible Touch: 1986: 16:32: Tour documentary 4:
"Throwing It All Away" was performed live during the Invisible Touch, [7] The Way We Walk, [8] Calling All Stations and Turn It On Again [9] tours; aside from the 1986 leg of the Invisible Touch tour, the song was transposed to a lower key to accommodate Collins' deepening voice (or Ray Wilson's deeper voice in the case of the Calling All Stations tour).
During a clip titled "Tony talks about his inspiration" on the When in Rome 2007 DVD, Banks states that his inspiration for the song lyrics was the Lebanese Civil War, which was still being contested prior to the recording of Invisible Touch. He set the action in a hotel room in Beirut, minutes after bombs start to fall on the city. [2]
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