Search results
Results from the WOW.Com Content Network
The phrase is spoken by Hiroko early on in the Mars colonization: "It was Hiroko who cut Arkady off, with what she said was a Japanese commonplace: 'Shikata ga nai,' meaning there is no choice" (100). Throughout the book, the phrase is a motif used when the characters have an unavoidable obligation or path.
It was recently shown, however, that the "kaeshi-no-kata" has no authentic basis as a kata, and is largely the result of a linguistic mix-up. "Kaeshi-kata", properly written 返へし方 rather than 返の形, and without the possessive particle の (no) was the title of a series of articles written in the 1920s by Takahashi-sensei from Waseda ...
Nage-no-kata (Japanese: 投の形, "forms of throwing") is one of the two randori-no-kata (乱取りの形, free practice forms) of Kodokan Judo.It is intended as an illustration of the various concepts of nage-waza (投げ技, throwing techniques) that exist in judo, and is used both as a training method and as a demonstration of understanding.
Itsutsu-no-kata (五の形, "forms of five") is a kata (a set of prearranged techniques) in Judo.It consists in five techniques, known only by their number. Although popular media generally claim that it was developed by Jigoro Kano, [1] [2] recent scientific research has conclusively shown that the kata predates the foundation of Kodokan judo and that Jigoro Kano took it from Tenjin Shinyō ...
Ju no Kata (Japanese: 柔の形, Hepburn: Jū-no-kata, "forms of gentleness") is a kata (a set of prearranged forms) in Judo. It is designed to teach the fundamental principles of judo, especially the principle of ju ( yielding or gentleness ). [ 1 ]
Tsubame gaeshi as a counter against uke's Deashi harai is the opening move of the Kaeshi-no-kata. As a counter against Okuriashi harai, it forms the sixth technique of the Nage-Waza-Ura-no-kata. [2] The name Tsubame Gaeshi is a reference to the famous technique of the legendary Japanese swordsman Sasaki Kojirō.
The throw is a natural consequence of this movement and is angled in the direction of flow. Consequently, it is one of few techniques of the nage-no-kata which deviates from the axis. Since at the end Tori is on the ground on his side, if the technique fails, Tori has no opportunity to complete a combination.
Since English loanwords are adopted into Japan intentionally (as opposed to diffusing "naturally" through language contact, etc.), the meaning often deviates from the original. When these loanwords become so deeply embedded in the Japanese lexicon, it leads to experimentation and re-fashioning of the words' meaning, thus resulting in wasei-eigo .