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"Promises, Promises" is the first single to be taken from The Cooper Temple Clause's second album, Kick Up the Fire, and Let the Flames Break Loose. It reached number nineteen on the UK Singles Chart and has been featured on the 2004 video games, WRC 4 and FIFA Football 2004.
Kick Up the Fire, and Let the Flames Break Loose is the second album from the British alternative rock band, The Cooper Temple Clause, released on 8 September 2003 in the UK by Morning Records, and on 24 February 2004 in the U.S. by RCA.
SingStar is a series of music video games developed by London Studio and published by Sony Computer Entertainment for the PlayStation 2 and PlayStation 3 video game consoles. . Gameplay in the SingStar games requires players to sing along to music in order to score points, using SingStar-specific USB microphones which ship with the g
"Jump into the Fire" is a rock song written and performed in a style that music journalist Matthew Greenwald likens to the early-1970s sound of the Rolling Stones.He adds: "Lyrically, on the surface, it's a hot lovers plea; however, it could easily be taken as a plea to society as a whole.
"Fire Water Burn" makes a variety of references to numerous figures from popular culture. These include the musicians Barry White, Frank Black, Marvin Gaye, Martha Raye, Lawrence Welk, Kurt Cobain and Jimi Hendrix, the fictional characters Han Solo and Webster, the television show Kojak, the actor Emmanuel Lewis, the author Mark Twain, and U.S. president John F. Kennedy.
"The Flame" was covered in 1998 by electronic dance music singer Erin Hamilton. Included on her 1999 album One World , the song was a top-twenty hit on the U.S. Hot Dance Club Play chart. Nine years later, the song was remixed and re-released as "The Flame 08" and this version went to number one on the U.S. dance chart, becoming Hamilton's ...
Director Paul Schrader reached out to David Bowie in 1980 to collaborate for the theme song of his remake of the Jacques Tourneur horror film Cat People (1942). [1] [2] Biographer Chris O'Leary describes the original film as "a subtle exploration of sexual repression and xenophobia", while he calls the remake a "gory fashion spread". [3]
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