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Dispensationalism is a theological framework for interpreting the Bible which maintains that history is divided into multiple ages called "dispensations" in which God interacts with his chosen people in different ways. [1]: 19 It is often distinguished from covenant theology.
De Stijl (/ d ə ˈ s t aɪ l /, Dutch: [də ˈstɛil]; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren (Piet Mondrian, Bart van der Leck).
Style is seen as usually dynamic, in most periods always changing by a gradual process, though the speed of this varies greatly, from the very slow development in style typical of prehistoric art or Ancient Egyptian art to the rapid changes in Modern art styles. Style often develops in a series of jumps, with relatively sudden changes followed ...
Progressive and traditional dispensationalists hold to many common beliefs, including views that are uniquely dispensational. The vast majority of adherents in both schools hold to a distinction between Israel and the Church, [2]: 49–51 a future pre-tribulation rapture, [2]: 317 a seven-year tribulation, and a Millennial Kingdom [2]: 54–56 in which the rule of Jesus Christ will be centered ...
Art Deco was not a single style, but a collection of different and sometimes contradictory styles. In architecture, Art Deco was the successor to (and reaction against) Art Nouveau, a style which flourished in Europe between 1895 and 1900, and coexisted with the Beaux-Arts and neoclassical that were predominant in European and American ...
Ultradispensationalism is a minority Christian doctrine regarding the relationship between God, the Christian church and human beings. It is a form of dispensationalism closely associated with E. W. Bullinger.
If Darby appears to be followed more closely by hyperdispensationalism, Darby's dispensationalism and hyperdispensationalism are more consistent than American Acts 2 dispensationalism in marking Scripture's distinction between national Israel, with its earthly kingdom, from the Church, which is Christ's heavenly body.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...