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Milonga dance incorporates the same basic elements as Argentine tango but permits a greater relaxation of legs and body. Movement is normally faster, and pauses are less common. It is usually a kind of rhythmic walking without complicated figures, with a more humorous and rustic style in contrast with the serious and dramatic tango. [citation ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay, and the Brazilian state of Rio Grande do Sul. [ 1 ] [ 2 ] It is considered a precursor of the tango . "Milonga is an excited habanera ."
Although tango music was strictly circumscribed to the tango interpreters, it was the classically trained Argentinian pianist Arminda Canteros (1911–2002) who used to play tangos to satisfy the requests of her father, who could not understand classical music. She developed her own style and had a weekly program of tango music for a radio ...
A tanda is a turn of dancing in a milonga, and by association, a set of pieces of music, usually between three and five, that is played for one turn. The most common style is to play four pieces in the tango tandas, three in the milonga tandas, and three or four in the vals tandas. Most commonly the music is tango, milonga or vals.
Gustavo Naveira and Giselle Anne. Milonguero-style tango, also known as estilo milonguero (in Buenos Aires, known by name Estilo del centro because it originates from downtown milongas where dance floors were crowded) or apilado (piled up, stacked), is a close-embrace style of social tango dancing in which the focus is inward and the leg and arm movements are kept small. [4]
Worlds of Music: An Introduction to the Music of the World's Peoples (Second ed.). New York: Schirmer Books. ISBN 0-02-872602-2. van der Merwe, Peter (1989). Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. Oxford: Clarendon Press. ISBN 0-19-316121-4. "International Dance Glossary". World Music Central.
The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. [1] Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and vals. Such a man was "raised and groomed on ...