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[4] In 2020, Al Jean acknowledged "Last Exit to Springfield" as an episode many consider a favorite. [12] In his book Planet Simpson Chris Turner names it the best episode of the series, saying "Episode 9F15 of The Simpsons should be taught in schools, in history, economics, social studies, literature and art class. It's flawless". [13]
In 2019, Entertainment.ie named it among the 10 greatest Simpsons episodes of all time. [24] Later that same year, The Guardian named it one of the five greatest episodes in Simpsons history, [ 25 ] Time ranked the episode first in its list of 10 best Simpsons episodes picked by Simpsons experts, [ 26 ] and Consequence ranked it second on its ...
The fourth season of the American animated television series The Simpsons originally aired on the Fox network between September 24, 1992 and May 13, 1993, beginning with "Kamp Krusty". The showrunners for the fourth production season were Al Jean and Mike Reiss , with the season being produced by Gracie Films and 20th Century Fox Television . [ 1 ]
The Simpsons, which celebrated its 35th anniversary on 17 December and has bizarrely predicted real-life events for more than three decades, has been shown in the UK on Channel 4 since 2004 but it ...
Season 1, Episode 1: “Simpsons Roasting On An Open Fire” Season 4, Episode 9: “Mr. Plow” Season 7, Episode 11: “Marge Be Not Proud” Season 9, Episode 9: “Miracle On Evergreen Terrace ...
In a review of The Simpsons season four, Lyndsey Shinoda of Video Store cited "Brother from the Same Planet" and "I Love Lisa" among her "personal favorites" from the season. [17] Reviewing season four in Entertainment Weekly, Ken Tucker called the episode "a masterpiece of tiny, throwaway details that accumulate into a worldview." [3]
The Simpsons is partnering with the folks from Stoopid Buddy (“Robot Chicken”) to take on “Venom” in this fall’s annual “Treehouse of Horror” extravaganza. In this case, Homer meets ...
The episode was met with mostly negative reviews, with Robert David Sullivan of The A.V. Club giving it a D+, saying, "This is an unusually focused story for The Simpsons, but it's padded out by self-deprecating cameos and perfunctory, Family Guy-style celebrity impressions." [6] Teresa Lopez of TV Fanatic gave the