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Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
C'était un jour de fête: 1941: C'est un monsieur très distingué: 1941: J'ai dansé avec l'Amour: From the film Montmartre-sur-Seine: 1941: Tu es partout: From the film Montmartre-sur-Seine: 1941: L'Homme des bars: 1941: Le Vagabond: 1942: Jimmy, c'est lui: 1942: Un coin tout bleu (from the film Montmartre-sur-Seine: 1942: Sans y penser ...
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
Lui dit : Ô mon roi ! Il faut du savon Pour votre menton. C'est vrai, lui dit le roi, As-tu deux sous ? Prête-les moi. 6. Du bon roi Dagobert La perruque était de travers ; Le grand saint Éloi Lui dit : Ô mon roi ! Que le perruquier Vous a mal coiffé ! C'est vrai, lui dit le roi, Je prends ta tignasse pour moi. 7. Le bon roi Dagobert
Ah ! Qu'il est beau, qu'il est charmant ! Ah ! que ses grâces sont parfaites ! Ah ! Qu'il est beau, qu'il est charmant ! Qu'il est doux ce divin enfant ! Refrain Une étable est son logement Un peu de paille est sa couchette, Une étable est son logement Pour un dieu quel abaissement ! Refrain Partez, grands rois de l'Orient !
Antonio Muréna was born in Borgo Val di Taro, Italy.His family emigrated to France in 1923 and settled in Nogent-sur-Marne.His uncle gave him his first accordion and he began a performing career assisted by his cousin Louis Ferrari.
Aside from playing the organ and composing music, Corrette organized concerts and taught music. He wrote nearly twenty music method books for various instruments—the violin, cello, bass, flute, recorder, bassoon, harpsichord, harp, mandolin, voice and more—with titles such as l'Art de se perfectionner sur le violon (The Art of Playing the Violin Perfectly), le Parfait Maître à chanter ...