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Audience design is a sociolinguistic model formulated by Herb Clark in 1982 and Gregory Murphy [1] and later elaborated by Allan Bell in 1984 [2] which proposes that linguistic style-shifting occurs primarily in response to a speaker's audience. According to this model, speakers adjust their speech primarily towards that of their audience in ...
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
It was just a movie, an original auteur-specific movie that prioritized top-shelf filmmaking and clockwork plotting over quotable dialogue and memes." [328] Some have questioned if there is an audience for the film's planned sequels, believing there to be a lack of interest in the face of the multiple delays of their release dates.
The Annie Award for Character Design in an Animated Feature Production is an Annie Award awarded annually to the best character designer and introduced in 2002. It rewards the design and look of characters for animated feature films.
A term referring to a fictional character (by whatever name) whose job it is to explain the plot or parts of a plot to other characters and the audience. mood lighting The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer. MOS motion picture
The extremely chaotic film that sees Adam Sandler’s character making a series of risky and dangerous bets seems to have stressed out audiences with a C+ CinemaScore that contrasts its 91% on ...
There are several tricks for making a character connect better with the audience; for likable characters, a symmetrical or particularly baby-like face tends to be effective. [37] A complicated or hard to read face will lack appeal or 'captivation' in the composition of the pose or character design.
In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). [1] [2] [3] The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. [2]