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Audience design is a sociolinguistic model formulated by Herb Clark in 1982 and Gregory Murphy [1] and later elaborated by Allan Bell in 1984 [2] which proposes that linguistic style-shifting occurs primarily in response to a speaker's audience. According to this model, speakers adjust their speech primarily towards that of their audience in ...
This character archetype of the 1930s → 1950s of a tough-talking, self-possessed, and independent woman — a good film role with much screen-time and character development who sparked against and vied with the male lead role, often Gary Cooper or Cary Grant — and was popularized in the film noir thrillers and screwball comedy films of ...
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors.
With representational acting, the audience is studiously ignored and treated as voyeurs. In the sense of actor-character relationship, the type of theatre that uses 'presentational acting' in the actor-audience relationship, is often associated with a performer using 'representational acting' in their actor-character methodology. Conversely ...
A term referring to a fictional character (by whatever name) whose job it is to explain the plot or parts of a plot to other characters and the audience. mood lighting The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer.
In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). [ 1 ] [ 2 ] [ 3 ] The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. [ 2 ]
Audience superior position is a term in literary theory to describe when the audience of a narrative work knows more than one or more characters in the narrative work. [1] An example in film might be when the audience knows the killer is hiding in the closet while the protagonist does not.
Film characters by year of introduction (110 C) Film characters by genre (9 C) Film characters by studio (7 C)-Lists of film characters (4 C, 53 P)