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Čhetáŋ Sápa (Black Hawk) [tʃʰɛtə̃ sapa] (c. 1832 – c. 1890) was a medicine man and member of the Sans Arc or Itázipčho band of the Lakota people. [1] He is most known for a series of 76 drawings that were later bound into a ledger book that depicts scenes of Lakota life and rituals.
Tanner had been painting lions since at least 1880. He abandoned his project for Androcles and the lion as beyond his current abilities, but continued painting lions in works such as this. [29] Lion Licking Its Paw or After Dinner [29] Allentown Art Museum, 1962.5. Oil on canvas, 30 x 36" (76.2 x 91.44 cm) [29] [31] 1888 [32] 29 years old ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
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The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm
The lion became popular in Japanese art from the 14th century onwards, under Chinese influence. The Chinese artistic form of the "dog-lion" (kara-shishi in Japanese) was almost always used, but was generally somewhat fatter, and with a shorter torso, than in China, with a short fan-like tail and a flattened face. [59]
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