Search results
Results from the WOW.Com Content Network
The unfinished nature of the work reveals Michelangelo's painting technique, completing areas in turn in the manner of a fresco or tempera work, rather than sketching out the whole work and adding details, as for example Raphael or Leonardo would have done. It also shows areas of paint that Michelangelo scratched away, for example the rocks. [5]
Head of a Faun is a lost sculpture by Italian Renaissance master Michelangelo, dating from c. 1489.His first known work of sculpture in marble, it was sculpted when he was 15 or 16 as a copy of an antique work with some minor alterations.
The Agony and the Ecstasy is a biographical novel of Michelangelo Buonarroti written by American author Irving Stone. Stone lived in Italy for years visiting many of the locations in Rome and Florence, worked in marble quarries, and apprenticed himself to a marble sculptor.
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus.
Michelangelo concentrated the attention on the depiction of pain and suffering. The faces of the people present are clearly distressed. Pope Paul III commissioned this fresco by Michelangelo in 1541 and unveiled it in his Cappella Paolina. Restoration of the fresco completed in 2009 revealed an image believed to be a self-portrait of ...
Night is a sculpture in marble (155x150 cm, maximum length 194 cm diagonally) by the Italian Renaissance sculptor Michelangelo Buonarroti. Dating from 1526–1531, it is part of the decoration of Michelangelo’s Sagrestia nuova (New Sacristy) in the Basilica di San Lorenzo in Florence, Italy.Night is part of an allegory of the four parts of day.
The Florentine Prigioni (Young Slave, Bearded Slave, Atlas Slave and the Awakening Slave) were probably carved instead in the second half of the 1520s, while Michelangelo was employed at San Lorenzo in Florence (but historians suggest dates between 1519 and 1534). It is known that they were in the artist's warehouse on the via Mozza in 1544 ...
Michelangelo never said why he carved a sculpture of a cupid, but it is known that he studied a sculpture in the Medici Gardens that contained a sleeping cupid. [2] Ascanio Condivi , the Italian Painter, described Michelangelo's work as "a god of love, aged six or seven years old and asleep".