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The Gypsy Girl, also known as Gypsy Girl [1] or Young Woman (La Bohémienne) [2] (and sometimes erroneously referred to as Malle Babbe) is an oil-on-wood painting by the Dutch Golden Age painter Frans Hals, painted in 1628–1630, and now in the Louvre Museum, in Paris.
Frans Hals the Elder (UK: / h æ l s /, [1] US: / h ɑː l s, h æ l z, h ɑː l z /; [2] [3] [4] Dutch: [frɑns ˈɦɑls]; c. 1582 – 26 August 1666) was a Dutch Golden Age painter.He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. [5]
The actual subject of the song "Malle Babbe" however was inspired by another painting by Frans Hals, The Gypsy Girl, depicting a busty young woman, possibly a prostitute. [7] The song celebrates her lusty sexuality. However, it also refers to her having frothy beer in a tavern, the setting for Malle Babbe, not The Gypsy Girl. Both pictures were ...
The Gypsy Girl, also known as Gypsy Girl, a painting by Frans Hals; Gypsy Girl (mosaic), a mosaic uncovered in the ancient city of Zeugma; Gypsy Girl, alternate English-language title of Nicolas Cordier's statue La Zingarella (c. 1607–1612) Gypsy Girl, alternate English-language title of Antonio da Correggio's painting La Zingarella ...
Marriage pendant portraits by Frans Hals – a subset of this list showing the marriage pendants side-by-side; Frans Hals catalogue raisonné, 1974 – the list of 222 paintings attributed as autograph by Seymour Slive in 1974; Frans Hals catalogue raisonné, 1989 – the list of 145 paintings attributed as autograph by Claus Grimm in 1989
Pages in category "Paintings by Frans Hals" The following 30 pages are in this category, out of 30 total. ... The Gypsy Girl (Hals) L. Laughing Boy (painting)
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In the same year that Slive was writing, Claus Grimm rejected the attribution of this painting to Frans Hals, though he conceded it was probably after a painting by Hals, calling it a copy of a lost original. [4] Hals' positioning of the two figures with a major figure accompanied by "an accomplice" was common to many of his paintings of the 1620s: