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The Appearance of Christ Before the People (Russian: Явление Христа народу Yavleniye Khrista narodu) or The Apparition of the Messiah is an oil painting on canvas, measuring 540 cm × 750 cm, by the Russian painter Alexander Andreyevich Ivanov (1806–1858). [2]
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
The gospels describe how, after his initial capture, Jesus was brought before Caiaphas – a high priest in the Jewish Sanhedrin. [4] Honthorst depicts the moment that Caiaphas asks Jesus if he truly claims to be God. The scene takes place at night. Jesus and Caiaphas are separated by a table upon which a candle provides the only light.
The painting is housed in the State Russian Museum in St. Petersburg (inventory number Zh-5263). It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops ...
Christ Crucified (Spanish: Cristo crucificado) is a 1780 oil-on-canvas painting of the crucifixion of Jesus by Spanish Romantic painter Francisco de Goya. He presented it to the Real Academia de Bellas Artes de San Fernando as his reception piece as an academic painter. It now forms part of the collection of the Prado Museum, in Madrid.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Measuring 325 × 611 cm, [1] it depicts the story of Christ and the woman taken in adultery, described in the Gospel of John. [2] [3] The painting was conceived by the artist in the late 1860s, with the first sketches appearing in the early 1870s. Some fifteen years passed before the final version of the canvas was completed. [4]