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Allusion is an economical device, a figure of speech that uses a relatively short space to draw upon the ready stock of ideas, cultural memes or emotion already associated with a topic. Thus, an allusion is understandable only to those with prior knowledge of the covert reference in question, a mark of their cultural literacy. [8]
Mythology by Edith Hamilton (1942) Myths of the Ancient Greeks by Richard P. Martin (2003) The Penguin Book of Classical Myths by Jenny March (2008) The Gods of the Greeks by Károly Kerényi (1951) The Heroes of the Greeks by Károly Kerényi (1959) A Handbook of Greek Mythology by H. J. Rose (1928) The Complete World of Greek Mythology by ...
Its purpose was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, and to grasp the mythological allusions behind the many kennings that were used in skaldic poetry. It was written by the Icelandic scholar and historian Snorri Sturluson around 1220. It survives in four known manuscripts and three fragments ...
Echo and Narcissus is a myth from Ovid's Metamorphoses, a Roman mythological epic from the Augustan Age. The introduction of the mountain nymph , Echo , into the story of Narcissus , the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
One such book available at the time was Herbert Gorman's first book on Joyce, which included his own brief list of correspondences between Ulysses and the Odyssey. [20] Another was Stuart Gilbert's study of Ulysses, which included a schema of the novel Joyce created. [21] Gilbert was later quoted in the legal brief prepared for the obscenity ...
The book is a prose recounting of myths and stories from three eras: Greek and Roman mythology, King Arthur legends and medieval romances. [6] Bulfinch intersperses the stories with his own commentary, and with quotations from writings by his contemporaries that refer to the story under discussion. [6]
Throughout the seven books of the series, the protagonists encounter a variety of these creatures as they travel throughout Narnia and the surrounding lands and seas, including Archenland, Calormen, and the Great Eastern Ocean. Much of Lewis' Narnian mythology references Greek, Norse, Arthurian, and Christian mythologies, among others. [1]