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Margaret was the daughter of Sara Fina (sometimes spelled Serafina) [4] [5] Guiterrez Tafoya (1863–1949) and Jose Geronimo Tafoya (1863–1955). She attended the Santa Clara Pueblo elementary school, and then the Santa Fe Indian School [6] from 1915 to 1918. [7]
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
Mel Cornshucker, Keetoowah Band Cherokee, (born 1952); Anita Fields, Osage/Muscogee, (born 1950); Bill Glass Jr., Cherokee Nation Anna Mitchell, Cherokee Nation (1926–2012), revived the art of Cherokee pottery for the Western Cherokee
Alice Williams Cling (Navajo, born March 21, 1946) [1] is a Native American ceramist and potter known for creating beautiful and innovative pottery that has a distinctive rich reds, purples, browns and blacks that have a polished and shiny exteriors, revolutionizing the functional to works of art.
Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.
In 1937, Shawnee Pottery began operations in the former American Encaustic facility in Zanesville, Ohio. Arrowheads found in the area, in conjunction with the heritage of local Shawnee Native Americans, inspired Louise Bauer, who was an in-house designer for this new company, to develop a logo with an arrowhead and profile of a Shawnee Indian Head. [2]
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Williams was a member of the most important family of Navajo potters, including her daughter Alice Cling and her aunt Grace Barlow. [4] Rose was trained by Barlow, and trained her daughter Cling, in turn; the three of them are credited with reviving the Navajo pottery tradition during the 20th century. [5]
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