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The etymology of Dandiya-Raas is in Sanskrit. [4] Dandiya-raas exists in the different forms, including the collegiate competitive form. [5] The dance style is now in a competitive format and a traditional format. [5] Men and women traditionally play dandiya-raas and the dance operates in pairs, meaning the group must contain an even number ...
Dandiya Raas is an energetic, vibrant dance which originated in Gujarat. Often called the "stick dance" because it uses polished sticks (dandiya), it represents a mock fight between the goddess Durga and the demon king Mahishasura. It is nicknamed "the sword dance" because the dandiya represent Durga's swords and are struck together.
Modern Garba is also heavily influenced by Dandiya Raas (Gujarātī: ડાંડીયા રાસ), a dance traditionally performed by men. The merger of these two dances has formed the high-energy dance that is seen today. [2] Both men and women usually wear colorful clothes while performing garba and dandiya.
The ropes are then untangled whilst the male dancers strike the sticks. Randhawa suggests that the dance is local to Patiala city and is similar to dandiya of Bombay (Mumbai) and tipni of Rajasthan. [2] Another style of Tipri, according to James (1974), is danced by girls who carry small sticks which are tapped to create a rhythm.
Stick dance may refer to: Stick dance (African-American), a dance developed by American slaves; Emirati stick dance, a traditional group dance of United Arab Emirates and Oman; Ball de bastons, a European ritual dance; Dandiya Raas, a dance of Gujarat origin; Jocul cu bâtă, a Romanian folk dance; Laathi nach, also known as the Tharu stick dance
Bhangra (Punjabi: ਭੰਗੜਾ) is a type of traditional folk dance of Punjab area of the Indian subcontinent. [1] According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival, performed during harvest season between April and the first quarter of May.
Unlike its North Indian counterpart Dandiya Ras, it comes in two forms. First, it is performed with coloured sticks and usually involves both men and women dancing together. Second, very rigorous play of sticks only by men dancing to folk songs. Sticks here are thick and hard to sustain strong play.
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius.