Search results
Results from the WOW.Com Content Network
interior of San Lorenzo The Macellum of Naples, an ancient Roman market beneath the church.. San Lorenzo Maggiore is a church in Naples, Italy.It is located at the precise geographic center of the historic center of the ancient Greek-Roman city, at the intersection of via San Gregorio Armeno and via dei Tribunali.
Paolo Domenico Finoglia, Immaculate Conception, 1620, Palais des Beaux-Arts, Lille. Paolo Domenico Finoglia , or Finoglio ( c. 1590 – 1645), was an Italian painter of the early- Baroque period, active mainly in South Italy, including Naples and towns in Apulia .
Complesso Monumentale San Lorenzo Maggiore (in Italian) The Macellum of Naples was the macellum or market building of the Roman city of Neapolis, now known as Naples . Due to the rise of the ground level the macellum is now located beneath the church of San Lorenzo Maggiore .
San Domenico Maggiore (1921) San Francesco di Paola (1836) San Gennaro ad Antignano (1905) San Giacomo Maggiore degli Spagnoli (1911) San Paolo Maggiore (1951) Santa Chiara; Santa Maria della Neve (Ponticelli, near Napoli) (1988) Basilica del Carmine Maggiore (1917) Basilica di Santa Maria della Sanità; Basilica di Santa Restituta; Basilica di ...
San Paolo Maggiore, Naples, church in Naples, Italy This page was last edited on 15 September 2024, at 07:08 (UTC). Text is available under the Creative Commons ...
Santi Moretti, hanged and quartered at the little bridge out of Porta San Paolo by the executioner's helper (1805), convicted of robbery. Gioacchino, also known as Bernardino Rinaldi, bludgeoned to death and quartered in Campo de' Fiori (October 9, 1805), convicted of the murders of his wife, who was expecting two babies, and of his apprentice.
San Paolo Maggiore is a basilica church in Naples, southern Italy, and the burial place of Saint Cajetan, founder of the Theatines. It is located on Piazza Gaetano, about 1-2 blocks north of Via dei Tribunali .
Paolo Uccello (/ uː ˈ tʃ ɛ l oʊ / oo-CHEL-oh, Italian: [ˈpaːolo utˈtʃɛllo]; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual perspective in art.