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OpenH264 – H.264 baseline profile encoding and decoding; OpenVVC [1] an VVC /H.266 Real Time-Decoder for Mac OS, Windows, Linux and Android and special Version of FFmpeg, [2] which was used for Ateme Satellite Broadcast Test. [3] [4] x265 – An encoder based on the High Efficiency Video Coding (HEVC/H.265) standard. Xvid – MPEG-4 Part 2 ...
Red5 Media Server is a Java open source project. OvenMediaEngine is an open source project that receives RTMP and transmits it with low latency. Unreal Media Server supports live RTMP streaming, in real-time and buffered modes [5] Wowza Streaming Engine has full support for RTMP streaming for live streams and VOD [6]
Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.
OBS Studio is a free and open-source app for screencasting and live streaming.Written in C/C++ and built with Qt, OBS Studio provides real-time capture, scene composition, recording, encoding, and broadcasting via Real-Time Messaging Protocol (RTMP), HLS, SRT, RIST or WebRTC.
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.
libvpx offers an asymmetric codec – with encoding taking much longer than decoding – and options for configuring encoding expense independently from decoding complexity. A lookahead of up to 25 frames can be configured, which improves compression efficiency but introduces latency and thereby hurts real-time performance.
OpenMAX (Open Media Acceleration), often shortened as "OMX", is a non-proprietary and royalty-free cross-platform set of C-language programming interfaces. It provides abstractions for routines that are especially useful for processing of audio, video, and still images.
As of 2006, AFDs are only broadcast in a minority of the countries using MPEG digital television but used most notably in the UK as required by the Digital TV Group D-Book. [6] As a result, the quality of implementation in receivers is variable. Some receivers only respect the basic "active area" information.