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The Gooderham Building, also known as the Flatiron Building, is an historic office building at 49 Wellington Street East in Toronto, Ontario, Canada.It is located on the eastern edge of the city's Financial District (east of Yonge Street) in the St. Lawrence neighbourhood, wedged between Front Street and Wellington Street in Downtown Toronto, where they join up to form a triangular intersection.
The canvas print material is generally cotton or plastic based poly canvas, often used for the reproduction of photographic images. Digital printers capable of producing canvas prints range from small consumer printers owned by the artist or photographer themselves up to large format printing service printers capable of printing onto canvas ...
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The building was later designated by the City of Toronto government as "The Grange and Grange Park" in 1991 under the Ontario Heritage Act. [9] In 2005, the City of Toronto government, and the museum entered a heritage easement agreement, [9] which requires designated interior and exterior elements of The Grange to be retained for perpetuity. [35]
The Toronto Regional Real Estate Board (TRREB), formerly the Toronto Real Estate Board (TREB), is a non-profit professional association of registered real estate brokers and salespeople in and about the Greater Toronto Area. [1] TRREB's Toronto office is located at 1400 Don Mills Road. [2] TRREB was formed in 1920, [1] and 100 years after its ...
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]
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