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Postherpetic neuralgia (PHN) is neuropathic pain that occurs due to damage to a peripheral nerve caused by the reactivation of the varicella zoster virus (herpes zoster, also known as shingles). PHN is defined as pain in a dermatomal distribution that lasts for at least 90 days after an outbreak of herpes zoster. [ 1 ]
Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies. [4] [5] [6] Sheet music industry also suffered of music piracy with pirated reprints, [7] [8] [9] as well various fake books rose considerable amount of copies sold. [5]
Adults with latent VZV infection who are exposed intermittently to children with chickenpox receive an immune boost. [23] [88] This periodic boost to the immune system helps to prevent shingles in older adults. When routine chickenpox vaccination was introduced in the United States, there was concern that, because older adults would no longer ...
A zoster vaccine is a vaccine that reduces the incidence of herpes zoster (shingles), a disease caused by reactivation of the varicella zoster virus, which is also responsible for chickenpox. [8] Shingles provokes a painful rash with blisters, and can be followed by chronic pain ( postherpetic neuralgia ), as well as other complications.
Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles and genres of music. The intended purpose of an edition of sheet music affects its design and layout.
A scorewriter, or music notation program is software for creating, editing and printing sheet music.A scorewriter is to music notation what a word processor is to text, in that they typically provide flexible editing and automatic layout, and produce high-quality printed results.
The heart of the G. Henle Verlag catalogue are the Urtext [5] (original text) editions: musicologically researched, accurate musical texts for practising musicians, they contain an explanatory apparatus expounding on the sources consulted (autographs, copies, early printed editions) and on the readings chosen (‘Critical Report’). [24]
Mozart 1, in 1994, was entirely based on its author's vision of what a music processor should be. Mozart's development in the subsequent decades has been driven by the needs of its users. [10] Elaine Gould's 2011 book, Behind Bars, is the primary guide to developing and maintaining music engraving in Mozart, as it is for other score writers. [11]