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The Blasters have a devoted fan base and have received largely positive critical reviews, but have earned only limited mainstream success. Critic Mark Deming wrote of them, "the Blasters displayed a wide-ranging musical style [and] were a supremely tight and tactful band with enough fire, smarts, and passion for two or three groups." [21]
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Alvin grew up in Downey, California in a music-loving family where he and his younger brother Dave Alvin were exposed to blues, rockabilly, and country.Inspired and influenced by the music they grew up with, Phil and Dave formed the rock and roll band The Blasters in the late 1970s with fellow Downey residents Bill Bateman and John Bazz. [2]
In the early 1980s, Alvin, along with fellow Blasters members Bill Bateman and Steve Berlin, performed on A Minute to Pray, A Second to Die by the Los Angeles punk band the Flesh Eaters. This lineup, which also included John Doe and D.J. Bonebrake , assembled once again in 2006, performing three shows in California and one in England to mark ...
The Blasters was critically well received. Reviewing the album in 1982 for The Village Voice, Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a major songwriter, one with John Fogerty's bead on the wound-tight good times of America's tough white underbelly, though his focus is shallower ...
AllMusic wrote: "Like Television's Adventure and the New York Dolls' Too Much Too Soon, the Blasters' Non-Fiction followed an instant classic, and seemed like a disappointment on first glance, but give it a listen on its own terms, and it plays like the work of a great band working with heart, soul, and plenty of skill, and it's one of the ...
The Blasters tried recording 4-11-44 twice, as a live album, but issues with record labels prevented a release. [6] They were without Dave Alvin; the lineup that recorded 4-11-44 had been playing together for a decade. [7] Phil Alvin and bass player John Bazz were the only founding members to participate in the recording sessions. [8] "
The song was originally released in 1980 on the Blaster's debut album American Music on the small independent label Rollin' Rock. It was then re-recorded a year later for the Blaster's second album The Blasters, released by Slash Records and distributed by Warmer Bros. This album had much better distribution than their first album and "Marie ...
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