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The origins of the word predate the 1778 arrival of Captain James Cook, as recorded in several chants stemming from that time. [4] [5] The term was generally given to people of European descent; however, as more distinct terms began to be applied to individual European cultures and other non-European nations, the word haole began to refer mostly to Americans, including American Blacks (who ...
' half foreign ' in Hawaiian) is a genre of Hawaiian music which utilizes primarily English lyrics with themes and instruments attributed to Hawaii, such as the ukulele and steel guitar. Although it has its beginnings in the early 20th century with influences from traditional Hawaiian music and American ragtime , the term "hapa haole" now ...
"My Little Grass Shack in Kealakekua, Hawaiʻi", written by Tommy Harrison, Bill Cogswell, and Johnny Noble in Hawaii in 1933, is a Hawaiian song in the Hawaiian musical style known as hapa haole. One of the earliest recordings by Ted Fio Rito and his orchestra reached number one on the charts in 1934. [ 1 ]
Holehole bushi is a type of folk song sung by Japanese immigrants as they worked on Hawaii's sugar plantations during the late 19th and early 20th century.. Hole Hole is the Hawaiian word for sugar cane leaves, while Bushi (節) is a Japanese word for song. [1]
By 1916, records of Hawaiian steel guitar were outselling every other music genre in the nation. Hawaiian music started cropping up in Hollywood soundtracks and L.A. clubs, and was further ...
Brother Noland is an American musician and author, known chiefly as a performer of Hawaiian music and slack-key guitar.. Noland was raised in a musical family; his mother and brother were hula dancers, and he began playing music in clubs while still a teenager in the 1960s.
Polari, a jargon that began in European ports and evolved into a shorthand used in gay subcultures, influences much of today's slang in words like "zhuzh," "drag," "camp" and "femme."
Nā mele paleoleo (sometimes "mele paleoleo") is a form of contemporary Hawaiian music that blends hip hop with native Hawaiian rapping. [1] Known as a form of Hawaiian performance poetry, spoken-word performers of nā mele paleoleo are gaining popularity due to rap and hip hop influences. [2]