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The application was developed by Loren Kary and originally released as FilmLogic [1] before being purchased by Apple. The application was released by Apple in 2002 as a stand-alone product . It was then included as part of version 4 of Final Cut Pro (see press release). See also a release history in context with the rest of Final Cut Studio.
If the template has a separate documentation page (usually called "Template:template name/doc"), add [[Category:Indian cinema templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Indian cinema templates]]</noinclude> to the end of the template code, making sure it starts on the same line as ...
A high quality recreation of the blue version of the Cinema DNG logo. CinemaDNG is the result of an Adobe-led initiative to define an industry-wide open file format for digital cinema files. [1] CinemaDNG caters for sets of movie clips, each of which is a sequence of raw video images, accompanied by audio and metadata. CinemaDNG supports ...
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation [ 1 ] for packaging DC contents.
2. 592:1 = 70:27 Cinerama at full height (three specially captured 35 mm images projected side by side into one composite widescreen image). 2. 6:1 = 8:3 = 24:9 Full-frame output from Super 16 mm negative when an anamorphic lens system has been used. Effectively, an image that is of the ratio 24:9 is squashed onto the native 15:9 aspect ratio ...
The transition from film to digital video was preceded by cinema's transition from analog to digital audio, with the release of the Dolby Digital (AC-3) audio coding standard in 1991. [1] Its main basis is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. [ 2 ]
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Version 1.4.2 also implements post-show log record collection utilizing SMPTE 430-17 SMS-OMB Communications Protocol Specification. Additionally, Version 1.4.2 incorporated two prior addenda: the Digital Cinema Object-Based Audio Addendum, dated October 1, 2018 and the Stereoscopic Digital Cinema Addendum, Version 1.0, dated July 11, 2007.