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The following is a list of works in stained glass designed by the English artist John Piper, listed chronologically. Already an established artist, Piper began designing for stained glass in the 1950s, working in partnership with Patrick Reyntiens , who manufactured the large majority of Piper's realised designs over a period of 30 years.
John Egerton Christmas Piper CH (13 December 1903 – 28 June 1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. . His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and cerami
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The Château de Chenonceau (French: [ʃɑto də ʃənɔ̃so]) is a French château spanning the river Cher, near the small village of Chenonceaux, Indre-et-Loire, Centre-Val de Loire. [1] It is one of the best-known châteaux of the Loire Valley. [2] The estate of Chenonceau is first mentioned in writing in the 11th century. [3]
John Egerton Christmas Piper [11] (1903–1992) was a leading British artist of the 20th century. [1] Piper used to make artistic expeditions to various parts of the United Kingdom with individual family members and family friends, including his wife Myfanwy, his son and fellow artist Edward Piper, poets John Betjeman and Geoffrey Grigson, and later on the family doctor and friend Alan Hartley.
Piper's wife, Myfanwy Piper (1911–1997), was herself an accomplished librettist who collaborated with Benjamin Britten. They spawned an artistic dynasty, the most important being their elder son Edward Piper. Others included Sebastian Piper (painter and musician) and grandchildren, Luke (painter) and Henry (sculptor).
Eastop was a potter throughout his working life and collaborated with the artist John Piper, sometimes working at Piper's family home at Fawley Bottom in south Buckinghamshire. [7] [8] He first met Piper in 1968 and they started working together in 1969. [9] Eastop set up a pottery at Piper's home in Fawley Bottom and the partnership lasted ...
Small Worlds I (1922), by Vasili Kandinsky, Metropolitan Museum of Art, New York. Its main exponent was Kirchner, a temperamental artist who left one of the most relevant graphic works of the first half of the century. His early works denote the influence of Japanese printmaking and Félix Vallotton: Man and Woman (1904), Bathers (1906).