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Telugu Alankaram is a figure of speech which means ornaments or embellishments which are used to enhance the beauty of the poems. There are two types of Alankarams, 'Shabdalankaram' which primarily focuses on Sound and 'Arthalamkaram' which focuses on meaning. These two alankarams are further broken down in to different categories.
Telangana Telugu, (Telangana slang or Telangana yaasa) often referred to as Hyderabadi Telugu (Telugu: హైదరాబాదీ తెలుగు) is a dialect of the Telugu language. It has its own history, spoken mostly in the Indian state of Telangana . [ 2 ]
Telugu script (Telugu: తెలుగు లిపి, romanized: Telugu lipi), an abugida from the Brahmic family of scripts, is used to write the Telugu language, a Dravidian language spoken in the Indian states of Andhra Pradesh and Telangana as well as several other neighbouring states.
The Telugu–Kannada script (or Kannada–Telugu script) was a writing system used in Southern India. Despite some significant differences, the scripts used for the Telugu and Kannada languages remain quite similar and highly mutually intelligible. Satavahanas and Chalukyas influenced the similarities between Telugu and Kannada scripts. [3]
Telugu literature includes poetry, short stories, novels, plays, and other works composed in Telugu. There is some indication that Telugu literature dates at least to the middle of the first millennium. The earliest extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya.
Mahakavi Nandi Thimmana (Telugu: నంది తిమ్మన; c. 15th and 16th centuries CE) was a Telugu poet and an Ashtadiggaja in the imperial court of Emperor Krishnadevaraya of Vijayanagara. He is often called Mukku Thimmana (lit. ' Thimmana of the nose ') after his celebrated poem on a woman's nose.
The art form was developed particularly by Telugu poets in medieval times. [1] It involves the partial improvisation of poems using specific themes, metres, forms, or words. [2] There is a tradition of mentoring in Avadhanam. The best avadhanis have contributed to the oeuvres of Telugu and Kannada poetry.
But when you read Viswanatha Satyanarayana’s Ramayana Kalpavruksham it is like reading a book set in a land of the Telugus. You get an impression that Lord Rama is a Telugu and the place where the epic unfolds is Telugu land. The food served is Telugu cuisine and the entire epic is filled with Telugu nativity.” [17]