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Aubrey Vincent Beardsley (/ ˈ b ɪər d z l i / BEERDZ-lee; 21 August 1872 – 16 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic.
Between 1950 and 1975, she gained international recognition for her work, including black-and-white ink drawings, colored gouaches, and large-scale mural decorations. She was known also as the illustrator of numerous books for adults and children, some of which won awards; she contributed too in sacred art, creating an illustrated Bible ...
2017 Matt Wilson, Cry Havoc, Paper Girls, The Wicked + The Divine (Image); Black Widow, The Mighty Thor, Star-Lord (Marvel) 2018 Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics) 2019 Matt Wilson, Black Cloud, Paper Girls, The Wicked + The Divine (Image); The Mighty Thor, Runaways (Marvel) 2020 Dave Stewart, Black Hammer, B.P.R.D.:
The Black-and-White Knight, by Linley Sambourne, Punch, 24 June 1893, a tribute to Tenniel. An ultimate tribute came to an elderly Tenniel as he was knighted for public service in 1893 by Queen Victoria. It was the first such honour ever bestowed on an illustrator or cartoonist.
The animation featured his trademark blocky figures dancing in beat to an updated remix of "Into the Groove". [ 159 ] Keith Haring: Double Retrospect is a monster-sized jigsaw puzzle by Ravensburger measuring in at 17 by 6 feet (5.2 by 1.8 m) with 32,256 pieces, breaking Guinness Book of World Records for the largest puzzle ever made in 2011.
Although acknowledged as an accomplished black-and-white book illustrator for some years, it was the publication of his full-colour plates to Washington Irving's Rip Van Winkle by Heinemann in 1905 that particularly brought him into public attention, his reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington ...
Maxfield Parrish (July 25, 1870 – March 30, 1966) was an American painter and illustrator active in the first half of the 20th century. His works featured distinctive saturated hues and idealized neo-classical imagery.
Multiple theories exist about the origins of the theatrical practice of blackface as a caricature of black people. One interpretation is that it can be traced back to traditions connected with Morris dancing. Another interpretation is that traditionally the use of soot to blacken faces in morris dancing was derived from its use as a disguise by ...