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Sepia toning is a specialized treatment to give a black-and-white photographic print a warmer tone and to enhance its archival qualities. The metallic silver in the print is converted to a sulfide compound, which is much more resistant to the effects of environmental pollutants such as atmospheric sulfur compounds.
The use of dye imbibition for making full-color prints from a set of black-and-white photographs taken through different color filters was first proposed and patented by Charles Cros in 1880. [1] It was commercialized by Edward Sanger-Shepherd, who in 1900 was marketing kits for making color prints on paper and slides for projection. [1]
Ibn Sina (d. 1037), Nasir al-Din al-Tusi (d. 1274), and Robert Grosseteste (d. 1253) discovered that contrary to the teachings of Aristotle, there are multiple color paths to get from black to white. [ 2 ] [ 3 ] More modern approaches to color theory principles can be found in the writings of Leone Battista Alberti (c. 1435) and the notebooks ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Dye imbibition was not suitable for printing optical soundtracks, which required very high resolution, so when making prints for sound-on-film systems the "blank" film was a conventional black-and-white film stock on which the soundtrack, as well as frame lines, had been printed in the ordinary way prior to the dye transfer operation.
In these models, mixing black and white will yield white, black and gray, respectively. Physical mixing processes, e.g. mixing light beams or oil paints, will follow one or a hybrid of these 3 models. [1] Each mixing model is associated with several color models, depending on the approximate primary colors used.
Sulphur black 1 53185 sulfur: 1326-82-5: Sulphur black 11 Sulphur black 11 53190 sulfur 1327-14-6: Sulphur blue 7 Sulphur blue 7 53440 sulfur 1327-57-7: Sun yellow Direct yellow 11 40000 stilbene 1325-37-7: Sunset yellow FCF: Orange yellow S Food yellow 3 15985 azo 2783-9-0: SYBR Green I: cyanine 163795-75-3: Tartrazine: Acid yellow T Hydrazine ...
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