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For a guide to adding IPA characters to Wikipedia articles, see Template:IPA and Wikipedia:Manual of Style/Pronunciation § Entering IPA characters. Examples in the charts are Japanese words transliterated according to the Hepburn romanization system. See Japanese phonology for a more thorough discussion of the sounds of Japanese.
The Japanese liquid is most often realized as an alveolar tap [ɾ], though there is some variation depending on phonetic context. [1] /r/ of American English (the dialect Japanese speakers are typically exposed to) is most commonly a postalveolar central approximant with simultaneous secondary pharyngeal constriction [ɹ̠ˤ] or less commonly a retroflex approximant [ɻ].
Thus, for the verb 言う /iu, juː/ ("to say"), the past tense in standard Japanese 言った /iQta/ ("said") becomes 言うた /juːta/ in Kansai dialect. This particular verb is a dead giveaway of a native Kansai speaker, as most will unconsciously say 言うて /juːte/ instead of 言って /iQte/ or /juQte/ even if well-practiced at ...
Normative pitch accent, essentially the pitch accent of the Tokyo Yamanote dialect, is considered essential in jobs such as broadcasting.The current standards for pitch accent are presented in special accent dictionaries for native speakers such as the Shin Meikai Nihongo Akusento Jiten (新明解日本語アクセント辞典) and the NHK Nihongo Hatsuon Akusento Jiten (NHK日本語発音 ...
Many generalizations about Japanese pronunciation have exceptions if recent loanwords are taken into account. For example, the consonant [p] generally does not occur at the start of native (Yamato) or Chinese-derived (Sino-Japanese) words, but it occurs freely in this position in mimetic and foreign words. [2]
More archaically, one can say Que Dieu te/vous bénisse. "To your wishes" or "health". Old-fashioned: after the second sneeze, "to your loves", and after the third, "may they last forever". More archaically, the translation is "God bless you". Merci or Merci, que les tiennes durent toujours (old-fashioned) after the second sneeze
Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...
Kuko / Yukigesho (Japanese: 空港 / 雪化粧; English: Airport / Snow Covered) is the first Japanese studio album recorded by Taiwanese singer Teresa Teng, released via Polydor Records on October 21, 1974. The album was supported with the release of three singles: "Konya Kashira Ashita Kashira", "Airport", and "Yukigesho".