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"It's the Hard Knock Life" is a song from the musical Annie [1] with music by Charles Strouse and lyrics by Martin Charnin. [2] [3] [4] The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.
Producer The 45 King heavily sampled "It's the Hard-Knock Life" from the original Broadway cast recording on rapper Jay-Z's single "Hard Knock Life (Ghetto Anthem)" (1998). [78] The NFL Network produced two Super Bowl ads in 2004 and 2005 featuring "Tomorrow". A series of football celebrities who were retired or did not make it to that year's ...
Slant Magazine listed "Hard Knock Life" at number 84 in their ranking of "The 100 Best Singles of the 1990s" in 2011, writing, "Jay-Z’s co-opting of a discordant, already famous showtune is a rare novel endeavor in a genre generally defined by following the leader; it’s pulled off so seamlessly that it’s easy to forget what a ballsy move ...
The EGOT winner is currently back on stage in the musical, playing at The Theater at Madison Square Garden in N.Y.C. through Jan. 5, 2025
Hard Knock Life may refer to: "It's the Hard Knock Life", a song from the musical Annie; Vol. 2... Hard Knock Life, a 1998 album by Jay-Z "Hard Knock Life (Ghetto Anthem)", a song from the album, which samples the showtune from Annie
In 1958, his song “Born Too Late” was number seven on the Billboard charts, and in 1999 the quadruple platinum Hard Knock Life (Ghetto Anthem) by artist Jay-Z (which sampled "It's The Hard Knock Life" from Annie) was the winner of a Grammy for Best Rap Album of the year & the Billboard R&B Album of the Year.
Reviewing the album in Record, Vince Aletti called Steve Arrington's Hall of Fame, Vol. 1 "not just the best funk debut of the year so far, but an album appealing and original enough that even veterans will find it hard to beat." He picked "Nobody Can Be You" as the highlight for its unexpectedly introspective lyrics and tight instrumental ...
Hard Knock Life which spawned the biggest hit of his career at the time, "Hard Knock Life (Ghetto Anthem)". He relied more on flow and wordplay, and he continued with his penchant for mining beats from the popular producers of the day such as Swizz Beatz, an upstart in-house producer for Ruff Ryders, and Timbaland. [48]