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Prehistoric music (previously called primitive music) is a term in the history of music for all music produced in preliterate cultures , beginning somewhere in very late geological history. Prehistoric music is followed by ancient music in different parts of the world, but still exists in isolated areas.
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
Ancient music refers to the musical cultures and practices that developed in the literate civilizations of the ancient world, succeeding the music of prehistoric societies and lasting until the post-classical era. Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome.
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.
50 Cent – The artist adopted the nickname "50 Cent" as a metaphor for change, after having served time at boot camp for selling drugs to an undercover police officer. [4] The name was inspired by Kelvin Martin, a 1980s Brooklyn robber known as "50 Cent"; the artist chose it "because it says everything I want it to say. I'm the same kind of ...
Now, she expands on being a Black artist in the genre and more in a new cultural memoir, “My Black Country: A Journey Through Country Music’s Black Past, Present, and Future.”
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Pulling inspiration from the 'French Primitive', untutored painters, Fahey often referred to his music as 'American Primitive'. The same alluring, raw, roots, mysterious, power, grit, obscure, industrial, ambient, epic, and tranquilizing aesthetics that one finds in Faheys music and his writings are equally present in his paintings.