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Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
Ornamental or decorative art can usually be analysed into a number of different elements, which can be called motifs. These may often, as in textile art , be repeated many times in a pattern. Important examples in Western art include acanthus , egg and dart , [ 2 ] and various types of scrollwork .
Roman ornament techniques include surface-modeling, where ornamental styles are applied onto a surface. This was a common ornamental style with marble surfaces. [8] One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks.
The French sense of arabesque: a Savonnerie carpet in the Louis XIV style, c.1685–1697, wool, Metropolitan Museum of Art, New York City Design of a Louis XVI style arabesque, by Étienne de La Vallée Poussin, c.1780–1793, pen and gray and brown ink, brush and colored wash, Metropolitan Museum of Art The "Arabesque Room" in the Catherine ...
Acanthus leaves were the aesthetic basis for capitals in the Corinthian order of architecture; Several species, especially A. balcanicus, A. spinosus and A. mollis, are grown as ornamental plants. Acanthus leaves also have many medicinal uses.
Acanthus (plant), a genus containing plants used for ornament and in traditional medicine Acanthus (ornament) , ornamental forms in architecture using the leaf shape Acanthus , an entomological term for a thornlike projection on an insect , typically a single-celled cuticular growth without tormogen (socket) or sensory cells
Acanthaceae (/ æ k æ n ˈ θ eɪ s iː ˌ aɪ,-s i ˌ i /) is a family (the acanthus family) of dicotyledonous flowering plants containing almost 250 genera and about 2500 species. Most are tropical herbs , shrubs , or twining vines; some are epiphytes .
But the Swiss and Austrians elaborated this style, greatly improving the effect by the addition of color. However, the best Continental designs adopted the typical acanthus foliage of Italy, while still retaining a certain amount of Gothic feeling in the strength of the lines and the cut of the detail.