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There are many examples of Lajvardina tiles, and these were often used to tile the outsides of buildings. Tiles are seen as the better preserved examples of the design style. [9] Lajvardina-type ceramics were used around 1334 for the coverings of the mausoleum of Qutham ibn Abbas in the necropolis of Shah-i-Zinda, near Samarkand. [16]
Gilded frame ready for burnishing with an agate stone tool Application of gold leaf to a reproduction of a 15th-century panel painting. Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1] A gilded object is also described as "gilt".
Bowl with couple in a garden, around 1200. In this type of scene, the figures are larger than in other common subjects. Diameter 18.8 cm. [1] Side view of the same bowl Mina'i ware is a type of Persian pottery, or Islamic pottery, developed in Kashan in the decades leading up to the Mongol invasion of Persia and Mesopotamia in 1219, after which production ceased. [2]
White porcelain jar, 18th century, Joseon Korea. Unlike Goryeo ware, which are glazed with the rich vibrant color of celadon and often featured characteristics of nature, Joseon white porcelains (baekja) are characterized by the beauty of modest forms, and minimal use of color, which conveyed the ideals of Korean Confucian state, that was preeminent at the time.
Parian "Nelson Jug" (1851) Parian ware is a type of biscuit porcelain imitating marble.It was developed around 1845 by the Staffordshire pottery manufacturer Mintons, and named after Paros, the Greek island renowned for its fine-textured, white Parian marble, used since antiquity for sculpture.
The Hirado daimyō family, the Matsura, established a village of Korean potters in the early 17th century. They made stoneware of the Karatsu ware type. In the next generation, in the mid-1630s, one of these, Sanojō (1610–1694), discovered a good source of kaolin, needed for porcelain, at Mikawachi.
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