Search results
Results from the WOW.Com Content Network
Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem vohu is overall the shortest of the four Gathic manthras. It is dedicated to asha, a central concept of Zoroastrianism. It consists of only twelve words which are arranged in an alliterative fashion. This may have helped ordinary people to more easily remember it. [5]
This innermost core includes the 17 chapters of the Gathas, the oldest and most sacred texts of the Zoroastrian canon. Yasna 1–27.12 Yasna 27.13–27.15: three of the four of the most sacred Zoroastrian prayers Yasna 28–34: Gatha 1 Yasna 35–41: the "seven-chapter Yasna" Yasna 43–51,53: Gathas 2–5 (chapters 43–46, 47–50, 51 and 53)
This concept of asha versus the druj should not be confused with Western and especially Christian notions of good versus evil, for although both forms of opposition express moral conflict, the asha versus druj concept is more systemic and less personal, representing, for instance, chaos (that opposes order); or "uncreation", evident as natural ...
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
The principal text in the liturgical group is the Yasna, which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, at which the Yasna text is recited. The most important portion of the Yasna texts are the five Gathas , consisting of seventeen hymns attributed to Zoroaster himself.
In the Gathas, ashi is frequently identified with asha "truth", so for instance in Yasna 51.10 where the poet calls "truth to [him], to come with good reward." The idea being expressed here is a soteriological one, with "truth" being connected to the afterlife (see asha for details) and ashi being the appropriate recompense for the soul after ...
In the Zoroastrian hierarchy of divinities, Bahram is a helper of Asha Vahishta (Avestan, middle Persian: Ardvahisht), the Amesha Spenta responsible for the luminaries. In the Zoroastrian calendar instituted during the late Achaemenid era (648–330 BCE), the twentieth day of the month is dedicated to Bahram (Siroza 1.20).