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Greek art emphasized humanism along with the human mind and the human body's beauty. [8] Greek youths trained and competed in athletic contests in the nude. A great contribution to the contrapposto pose was the concept of a canon of proportions, in which mathematical properties are used to create proportions.
The figura serpentinata is a variant or development of the pose. The term is usually applied only to art from the Renaissance onwards, and Donatello is often regarded as its inventor. [4] While in all these periods the S-curve originated in sculpture, it was also used in two-dimensional figures in various other media.
A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium. [5] Sketches can be made in any drawing medium.
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
Horatius Cocles, engraving by Hendrick Goltzius – an example of a Figura serpentinata. Figura serpentinata (lit. ' serpentine figure ') is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism.
Reverse perspective, also called inverse perspective, [1] inverted perspective, [2] divergent perspective, [3] [4] or Byzantine perspective, [5] is a form of perspective drawing where the objects depicted in a scene are placed between the projective point and the viewing plane.
It is the opposite of a bird's-eye view. [1] It can give the impression that an object is tall and strong while the viewer is childlike or powerless. [2] A worm's-eye view commonly uses three-point perspective, with one vanishing point on top, one on the left, and one on the right. [3] A tree from a worm's-eye view