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The album achieved modest success, reaching number 45 in the UK and number 87 in the US Billboard chart, [91] with some fans and critics feeling the music was closer in style to Rainbow than to Deep Purple.
Formed in early 1968 by Jon Lord, Ian Paice, Rod Evans, Ritchie Blackmore, and Nick Simper, Deep Purple released their debut album, Shades of Deep Purple, in July of that year. The band has taken on many new members over the years, and Ian Paice is the last member from the original line-up still with the band.
Donny and Marie Osmond's "Deep Purple" was an even greater Adult Contemporary hit. It peaked at number eight on both the U.S. and Canadian charts. The song spent 23 weeks on the pop chart, far longer than did any other song by the Osmond family. [8] "Deep Purple" is ranked as the 42nd-biggest U.S. hit of 1976. [13]
Machine Head became Deep Purple's most commercially successful album, topping the charts in several countries, including the UK. Influential in the development of heavy metal, it continues to be viewed favourably by music critics and has been reissued several times. It is widely considered one of the greatest and most influential rock albums of ...
Once Deep Purple in Rock had been completed, EMI asked for a suitable single to be recorded to help promote the album. Though Roger Glover states that Ricky Nelson's 1962 hard rocking arrangement of the George Gershwin song "Summertime" was the basis for the Mk II Deep Purple single "Black Night," [4] it is also similar to Blues Magoos's 1966 psychedelic hit song "(We Ain't Got) Nothin' Yet."
Deep Purple in Rock is the fourth studio album by English rock band Deep Purple, released on 5 June 1970. [1] It was the first studio album recorded by the Mark II line-up of Ritchie Blackmore , Ian Gillan , Roger Glover , Jon Lord and Ian Paice .
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When Deep Purple's first line-up came together in 1967, there was a moment of transition for the British music scene. Beat was still popular, especially in dance halls and outside the capital, but the tastes of young people buying records and filling up the clubs was rapidly changing in favour of blues rock, progressive rock and psychedelic rock. [2]