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Close Your Eyes is the debut studio album by Kurt Elling, released in 1995. [ 1 ] At the 38th Grammy Awards Elling was nominated for the Grammy Award for Best Jazz Vocal Performance for Close Your Eyes .
The Messenger is the second studio album by Kurt Elling. [1] Like Close Your Eyes (and the following) the album was released by Blue Note, the production credits lie with pianist Laurence Hobgood, Elling himself and drummer Paul Wertico as co-producer.
Close Your Eyes was the best-selling British jazz album of 1997. [ 3 ] In an interview with Billboard to promote the album Kent said: "With this album, I was trying to give a mixture of things that people know and gems that got lost, songs that might get missed out of the great standard repertoire."
Close Your Eyes (Kurt Elling album), 1995; Close Your Eyes (Sarah McKenzie album), 2012; Close Your Eyes (Stacey Kent album), 1997; Close Your Eyes: A Collection 1965–1986, by Vincent Crane, 2008; Close Your Eyes, or the title song (see below), by Edward Bear, 1973; Close Your Eyes, by Ellie Drennan, 2015; Close Your Eyes EP, by Close Your ...
"Close Your Eyes (And Count to Fuck)" is a song by American hip hop duo Run the Jewels, with guest vocals by Zack de la Rocha. [1] It was released as the second single from their second studio album, Run the Jewels 2 (2014), on September 30, 2014.
McKenzie told Australian Jazz that she sits down at the piano with a larger selection of songs she’d like to work with and to 'see what happens'. She said she chooses songs that she 'loves or that have special significance' and the end result is Close Your Eyes; a group of songs that she wanted to release. There is a mix of jazz standards ...
We Will Overcome is the debut album by Texas melodic hardcore band Close Your Eyes. It was released on February 16, 2010. Music videos were produced for the three singles: "Song for the Broken", "The Body", and "Digging Graves". This album is the only studio album to feature former drummer David Fidler, before his departure from the band.
Scott Yanow, writing for AllMusic, thought that Kent "has an attractive voice and a lightly swinging style."He added that she "uplifts each of the familiar tunes slightly but does not add much of herself to the material," and concluded by remarking on her future potential.