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Ingvar Runestones – 26 Varangian runestones that were raised in commemoration of those who died in the Swedish Viking expedition to the Caspian Sea of Ingvar the Far-Travelled. Serkland Runestones – six or seven runestones which are Varangian Runestones that mention voyages to Serkland, the Old Norse name for the Muslim world in the south.
The Snoldelev stone, one of the oldest runestones in Denmark. The tradition of raising stones that had runic inscriptions first appeared in the 4th and 5th century, in Norway and Sweden, and these early runestones were usually placed next to graves, [2] [3] though their precise function as commemorative monuments has been questioned. [4]
The Sparlösa Runestone was discovered in 1669 in the southern wall of the church at Sparlösa, now part of Vara Municipality. [1] Before their historical value was understood, many runestones were used as construction material for roads, walls, and bridges.
This statue was very famous and portrayed Theodoric with his shield hanging across his left shoulder, and his lance extended in his right hand. The Mærings is a name for Theodoric's family. [citation needed] According to the old English Deor poem from the 10th century, Theodoric ruled the "castle of the Mærings" (Ravenna) for thirty years ...
The runestones were not carved by the same man, and so it appears that the runestone reflects a specific tradition in Blekinge during the 7th century. Compared to the Stentoften inscription, the one on the Björketorp stone has a fuller, more formal and less archaic style.
Geographic distribution of the Sigurd stones. The Sigurd stones form a group of eight or nine Swedish runic inscriptions (five or six runestones, two natural rocks, and a baptismal font) and one picture stone that depict imagery from the Germanic heroic legend of Sigurd the dragon slayer.
Two groups of runestones erected in Denmark mention a woman named Thyra, which suggests she was a powerful Viking sovereign who likely played a pivotal role in the birth of the Danish realm.
The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. [1]