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Female self-portrait in painting is the representation of a person of the female gender painted by herself. While using pictorial techniques and responding to the motivations of the self-portrait in general, the female self-portrait differentiates itself from the male by aspects concerning the physiognomy , the anatomy and the physiology of the ...
Self-Portrait is a small painting executed in oil on oak in 1548 by the Flemish Renaissance artist Catharina van Hemessen when she was 20 years old. The painting earned her a considerable reputation and is significant not only for being an early modern female portrait but also for representing an artist in the act of painting. [ 1 ]
She was the daughter of Jan Sanders van Hemessen (c. 1500-after 1563), a prominent Mannerist painter in Antwerp who had studied in Italy. [7] Her father is believed to have been her teacher [8] [9] and she likely collaborated with him on many of his paintings [10] She became a master in the Guild of Saint Luke in Antwerp and was the teacher of three students.
Mary Beale, Self-portrait, c. 1675 –1680, She became one of the most important portrait painters of 17th-century England, and has been described as the first professional female English painter. Angelica Kauffman , self-portrait, 1780–1785, a successful painter in her time, she was a great friend of Sir Joshua Reynolds .
Self-Portrait (Sofonisba Anguissola) Self-Portrait (Giovanni Bellini) Self-portrait (Raphael) Self-Portrait (Rubens, Antwerp) Self-Portrait (Turner) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as a Tahitian; Self-Portrait as Saint Catherine of Alexandria; Self-portrait at an Easel (Sofonisba Anguissola) Self ...
Artemisia was aware of "her position as a female artist and the current representations of women's relationship to art". [60] This is evident in her allegorical self portrait, Self Portrait as "La Pittura", which shows Artemisia as a muse, "symbolic embodiment of the art" and as a professional artist. [60]
Self-Portrait at the Virginal with a Servant, 1577, Accademia di San Luca, Rome. Fontana has been called "the most significant and prolific female artist of the 16th century." [33] Fontana's Self-Portrait at the Virginal with a Servant is considered to be her masterpiece. It was painted as a betrothal gift to the Zappi family as evidenced by ...
Self-portrait: Giovanna Fratellini: 1720 2064 Self-portrait: Violante Beatrice Siries: 1750s Self-portrait: Duchess Maria Antonia of Bavaria: 1750s 2065 Self-Portrait in the Traditional Costume of the Bregenz Forest, Seated at her Easel: Angelica Kauffman: 1757 4444 Self-portrait: Anton Raphael Mengs: 1773 1927 Self-portrait: Maria Cosway: 1778 ...
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