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The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [ 3 ] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
They rejected Romantic and Victorian conventions, favoring precise imagery and clear, non-elevated language. [61] Ezra Pound formulated and promoted many precepts and ideas of Imagism. His "In a Station of the Metro" (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry: The apparition of these faces in the crowd;
Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
The journal, published by Vishvanatha Kaviraja Institute of Comparative Literature and Aesthetics since 1977 as its official organ, addresses interdisciplinary and cross-cultural issues in literary understanding and interpretation, aesthetic theories, conceptual analysis of art, literature, philosophy, religion, mythology, history of ideas ...
Genres are formed shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. [2]
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A broader movement of New Romantics has been postulated to cover many of the British poets between the Auden group of the 1930s and The Movement.This is much more debatable; it may be something of a flag of convenience for those such as the followers of Dylan Thomas and George Barker whose style marked them off, or on the other hand a tag for those addressed polemically and retrospectively by ...