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Eventually, women's patterns would be offered in 13 sizes for dresses, coats and blouses, and five sizes for skirts. The Delineator, August 1894 cover. In 1867 Butterick began publishing a magazine to promote their patterns, the Ladies Quarterly of Broadway Fashions, which was followed, in 1868, with the monthly Metropolitan. Both magazines ...
Most women wore skirts at or near knee-length, with simply-cut blouses or shirts and square-shouldered jackets. Popular magazines and pattern companies advised women on how to remake men's suits into smart outfits, since the men were in uniform and the cloth would otherwise sit unused. Eisenhower jackets became popular in this period.
Man's Western shirt showing a shoulder yoke with applied decoration. A yoke is a shaped pattern piece that forms part of a garment, usually fitting around the neck and shoulders or around the hips to provide support for looser parts of the garment, such as a gathered skirt or the body of a shirt. [1]
Women dropped the cumbersome underskirts from their tunic-and-skirt ensembles, simplifying dress and shortening skirts in one step. [8] By 1915, the Gazette du Bon Ton was showing full skirts with hemlines at calf length. These were called the "war crinoline" by the fashion press, who promoted the style as "patriotic" and "practical". [10]
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris. [1]
Her long-fronted bodice and open skirt are conservative fashions at this date. Dutch fashions of the 1640s feature modest, high-necked chemises, broad linen collars with matching kerchiefs and deep cuffs, and lavish use of bobbin lace. Engraving of Cecylia Renata, Queen of Poland in riding dress (doublet, skirt, and hat), 1645.
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