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Dangdut has become "contemporary folk music" in Indonesia. Its popularity surpasses those of other music genres: [1] [2] people love to sing its songs with karaoke, both for themselves and during family celebrations, employees in central government offices exercise to its music before starting work, and so on. Political party campaign stages ...
Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term " koplo " which refers to a hallucinogenic drug that is sold cheaply in Indonesia.
Their folk music has played an important part in the development of Nigerian music, contributing such elements as the Goje, a one-stringed fiddle. There are two broad categories of traditional Hausa music: rural folk music and urban court music. They introduced the African pop culture genre that is still popular today.
Gnawa singer in Salé, Morocco. Gnawa music (Ar. ڭْناوة or كْناوة) is a body of Moroccan religious songs and rhythms. [1] [2] Emerging in the 16th and 17th centuries, Gnawa music developed through the cultural fusion of West Africans brought to Morocco, notably the Hausa, Fulani, and Bambara peoples, whose presence and heritage are reflected in the songs and rituals.
The music of Niger has developed from the musical traditions of a mix of ethnic groups; Hausa, the Zarma-Songhai, Tuareg, Fula, Kanuri, Toubou, Diffa Arabs and Gurma and the Boudouma from Lac Chad. Most traditions existed quite independently in French West Africa but have begun to form a mixture of styles since the 1960s.
Pages in category "Hausa musical instruments" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. A. Algaita; G.
Sadiq has written over 1000 songs which made him popular among hausa speakers across the country and beyond. His songs are based on love, politics and social issues among which includes Fyade (Rape) in which he addressed and enlightened the public on the danger of the menace of rape, and Babban Sarkin which he sang for the Emir of Zazzau Shehu ...
Dan Maraya chose the griot profession when he was seven-years old, having been told that his decreased father was a royal drummer. [4] By the end of his life he had toured internationally, performing in the United States, the Netherlands, Germany, Cuba, Trinidad, Jamaica, Guyana, Venezuela, Brazil, and Ethiopia. [4]