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Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Jurm-e-Ulfat Pe Taj Mahal (1963 film) Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Sharabi, Sharabi Ye Savan Ka Mausam Noor Jehan (film) Roshan (music director) Suman Kalyanpur: Hindi: Gaud Sarang: Woh Dekhen To Unki Inayat Funtoosh: S. D. Burman: Kishore Kumar & Asha ...
Sugama Sangeetha, a variety of Bhavageethe, is an Indian musical genre in which poetry in the Kannada language is set to music. It gained recognition with the work of P. Kalinga Rao in the mid -20th century. Mysore Ananthaswamy and C. Aswath developed the form further in the 1960s and 1970s.
Songs by Yesudas with Devarajan master's music that became hits are : Ashtamudikkayalile – Manavatty (1964), Manikya Veena – Kattupookkal (1965), Kattadichu – Thulabharam (1968), Thangabhasma – Koottukudumbam (1969), Aayiram Padasarangal – Nadi (1969), Sangamam Sangamam – Triveni (1970), Omalale Kandu – Sindhoora Cheppu (1971 ...
Notable English translations are: Edwin Arnold's The Indian Song of Songs (1875); Sri Jayadevas Gita Govinda: The loves of Krisna and Radha (Bombay 1940) by George Keyt and Harold Peiris; [17] S. Lakshminarasimha Sastri The Gita Govinda of Jayadeva, Madras, 1956; Duncan Greenlee's Theosophical rendering The Song of the Divine, Madras, 1962 ...
Nari Nari Naduma Murari (transl. Lord Krishna in between two ladies) is a 1990 Telugu-language romantic comedy film directed by A. Kodandarami Reddy. The film was produced by K. Murari under the Yuva Chitra Arts banner. It stars Nandamuri Balakrishna, Shobana, Nirosha, [1] and the music is composed by K. V. Mahadevan.
Krishna Nee Kunidaga is a 1989 Indian Kannada-language romantic drama film written, directed and produced by Dwarakish. [1] The film stars Vinod Raj and Sudharani, along with C. R. Simha, Jaggesh and Hema Choudhary in supporting roles. The music was composed by Vijayanand to the lyrics of Chi. Udaya Shankar, Hamsalekha and R. N. Jayagopal.
Furthermore, the Sahajiyās also made use of classic bhakti practices such as kirtan and chanting the names of Krishna as a way to intensify their feelings of love and devotion for Krishna. [ 2 ] Vaiṣṇava Sahajiyās believed that Gaudiya Vaiṣṇava masters like Chaitanya and Jayadeva had practiced sexual sahaja sadhana.
Dhruva Vijayam, Krishna Nadi and Samsara Saagaram (1925) Sivaji Prabandham, Veera Bai, Krishna Deva Raayalu, Vemana Yogeendrudu and Bhaarata Maatha (1926) Bhaarata Veerudu, Suryodayam, Chandrodayam and Gijigaadu (1927) Ranachyuthi, Aandhrudanu and Thummeda Pendlikoduku (1928) Sakhi, Buddhudu, Telugu Thalli, Sishuvu and Baashpa Sandesam (1929)