Search results
Results from the WOW.Com Content Network
A Chinese clan is a patrilineal and patrilocal group of related Chinese people with a common surname sharing a common ancestor. In southern China, clan members could form a village known as an ancestral village. In Hong Kong, clan settlement is exemplified by walled villages. An ancestral village usually features a hall and shrine honoring ...
A zupu (simplified Chinese: 族谱; traditional Chinese: 族譜; pinyin: zúpǔ; Pe̍h-ōe-jī: Cho̍k-phó͘) is a Chinese kin register or genealogy book, which contains stories of the kin's origins, male lineage and illustrious members. The register is usually updated regularly by the eldest person in the extended family, who hands on this ...
There are 11 essays in the book. [1]The book starts with two essays, one by Cynthia J. Brokaw and Joseph McDermott. The former examines how the book publishing cultures differ between China and Western countries and her advocacy for studying things in the Annales school style, [1] while McDermott's essay, "The Ascendance of Imprint in China," explores how printing developed in the Ming dynasty.
Loyalty and filial piety come first. Then we have love, faithfulness, and love of peace. Some who crave the new form of civilization want to throw away these virtues. They say that these old relics have no place in modern civilization. They are wrong, however; because China can ill afford to lose these previous virtues." [8]
Ancestor veneration practices prevail in South China, where lineage bonds are stronger and the patrilineal hierarchy is not based upon seniority and access to corporate resources held by a lineage is based upon the equality of all the lines of descent; [6] whereas in North China worship of communal deities is prevalent. [7]
China in Ten Words (simplified Chinese: 十个词汇里的中国; traditional Chinese: 十個詞彙裡的中國; pinyin: shí gè cíhuì lǐ de zhōngguó) is an essay collection by the contemporary Chinese author Yu Hua, who is known for his novels To Live, Chronicle of a Blood Merchant, and Brothers.
K.E. Brashier writes in his book "Ancestral Memory in Early China" about the tsung-fa system of patrilineal primogeniture: "The greater lineage, if it has survived, is the direct succession from father to eldest son and is not defined via the collateral shifts of the lesser lineages.
This was a major argument in favor of the eight-legged essay, arguing that it were better to eliminate creative art in favor of prosaic literacy. In the history of Chinese literature, the eight-legged essay is often accused by later Chinese critics to have caused China's "cultural stagnation and economic backwardness" in the 19th century. [1] [2]