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Johann Sebastian Bach composed the church cantata Ich ruf zu dir, Herr Jesu Christ (I call to You, Lord Jesus Christ), [1] BWV 177. He wrote the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732. The cantata text is formed by the unchanged five stanzas of Johann Agricola's hymn.
Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890.. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large wor
The English title derives from famous piano transcriptions made by Myra Hess, in 1926 for piano solo and in 1934 for piano duet, [1] as published by Oxford University Press. Whether played instrumentally or sung in German or English, the chorale is often heard at weddings and during Advent , Christmas , and Easter .
The accompaniment is a skillful and harmonious moto perpetuo in the alto and bass keyboard parts with flowing quavers (eighth notes) in the alto, derived from the first four quaver suspirans figure, played above a walking bass in detached crotchets (quarter notes). The hymn was originally written in duple time but, to facilitate the canonic ...
In 1855, the piano firm Érard introduced a new instrument, the pedal piano (pédalier), a grand piano fitted with a full German-style pedalboard. The French composer, organist and virtuoso pianist Charles-Valentin Alkan and Lemmens gave concerts on it, including performances of Bach's toccatas, fugues and chorale preludes for organ.
The above definitions spell out the interval of each note above the root. Since triads are constructed of stacked thirds, they can be alternatively defined as follows: major triads contain a major third with a minor third stacked above it, e.g., in the major triad C–E–G (C major), the interval C–E is major third and E–G is a minor third.
His piano playing was jet propulsion level, but also high virtuosity. His band’s live performances were joyous and transporting and in the mid-70s no one was bigger, no concert more coveted. BGJ
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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