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Midway through the poem, the narrator stops discussing the nightingale in order to describe a mysterious female and a gothic scene. After the narrator is returned to his original train of thought by the nightingale's song, he recalls a moment when he took his crying son out to see the Moon, which immediately filled the child with joy.
As Swiss legend goes, William Tell became a medieval folk hero when occupying Austrian militants forced him into a sick game: He was forced to fire an arrow into an apple atop his son’s head to ...
The poem is most often read as the poet/narrator's admission of having experienced depression and a vivid description of what that experience feels like. In this particular reading of the poem, "the night" is the depression itself, and the narrator describes how he views the world around him in this state of mind.
The end of "Night" shifts its focus to God, showing that true comfort and salvation can only come from the supernatural. [11] The complexity of "Night" is addressed in Hazard Adams' William Blake: A Reading of the Shorter Poems. Adams claims that the poem is complex because of the speaker's push to join the natural and supernatural world together.
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
"Auguries of Innocence" is a poem by William Blake, from a notebook of his known as the Pickering Manuscript. [1] It is assumed to have been written in 1803, but was not published until 1863 in the companion volume to Alexander Gilchrist's biography of Blake.
"A Dream" is a poem by English poet William Blake. The poem was first published in 1789 as part of Blake's collection of poems entitled Songs of Innocence. A 1795 hand painted version of "A Dream" from Copy L of Songs of Innocence and of Experience currently held by the Yale Center for British Art [1]
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).