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In 2016, British online department store Littlewoods included the song in a TV advertising campaign. [115] The song was featured in a 2017 commercial for Cricket Wireless in association with Samsung, [116] and later used as the theme music for the U.S. version of Big Star's Little Star.
"Way Back" is a song by American girl group TLC, featuring Snoop Dogg, from their fifth studio album, TLC (2017). An ode to the group's fanbase since their beginnings in 1991, it was released as the lead single on April 14, 2017, by newly formed label 852 Musiq and UK-based independent record company Cooking Vinyl.
"Haters" is a song by American girl group TLC, from their fifth studio album, TLC (2017). It was released on October 26, 2016, in Japan and November 1, 2016 in New Zealand. The song was later released as the second single from the album on May 5, 2017, in other countries. [1]
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
"Stir Fry" is a song by American hip hop group Migos. It was released on December 20, 2017, as the second single from Migos' third studio album Culture II (2018). Written alongside producer Pharrell Williams , it peaked at number eight on the Billboard Hot 100 .
The songs are recipes from the 1899 French cookery book La Bonne Cuisine Française (Tout ce qui a rapport à la table, manuel-guide pour la ville et la campagne) ("Fine French Cooking (Everything That Has to Do with the Table, Manual Guide for City and Country")) by Emile Dumont. Bernstein owned the book for many years. [1]
"Come On in My Kitchen" is a blues song by Robert Johnson. Music writer Elijah Wald has described it as "a hypnotic lament" and "his first unquestionable masterpiece". [1]A sometime traveling companion and fellow musician, Johnny Shines, recalled that Johnson's performance of the song could be overpowering:
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