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The song was released on 26 July 2019, as the leading single from their third studio album Six60. [4] [5] The band released a trailer for their documentary Six60: Till the Lights Go Out at the time of the release of "The Greatest". [6] In 2023, "The Greatest" was re-recorded in Māori as "Te Taumata".
Six60 is a New Zealand pop rock band formed in Dunedin, Otago in 2008. The band consists of Matiu Walters (lead vocals, guitar), Ji Fraser (lead guitar), Chris Mac ...
Six60 is the self-titled debut studio album by New Zealand rock band Six60. Released on 10 October 2011, it debuted at No. 1 on the New Zealand albums chart and was certified Gold in its first week. The album includes the songs "Rise Up 2.0" and "Don't Forget Your Roots".
In case you haven’t heard: SIX60 are the biggest band in New Zealand’s history. Like, ever. After meeting at the University of Otago in Dunedin, New Zealand, Matiu Walters (vocals, guitar ...
Six60 is the third self-titled full-length studio album by New Zealand rock band Six60.It was released on 8 November 2019 through New Zealand label Massive Entertainment. Production was handled mainly by Malay, together with Printz Board, Big Taste, E. Kidd Bogart and Justin Gra
Six60 is the second studio album released by New Zealand rock band Six60. It was released on 27 February 2015 through New Zealand label Massive Entertainment. It debuted at number one on the New Zealand Albums Chart and was certified Gold in its first week. All of the songs on the album made an appearance on the New Zealand Artists Singles ...
Ko Kirimoko te māunga (my mountain is Kirimoko) Ko Waitati te awa (my river is the Waitati) Ko Tākitimu te waka (my ancestral canoe is the Tākitimu) Ko Kāi Tahu tōku iwi (my tribe is Kāi Tahu) Ko Kāti Huirapa tōku hapū (my sub-tribe is Kāti Huirapa) Nō Ōtepoti ahau (I am from Dunedin) Ko Tīpene tōku ingoa (My name is Tīpene/Stephen)
The New Zealand Herald gave Six60 EP four stars out of five. The reviewers felt that the EP was a positive sonic change for the band, distancing themselves from reggae-influenced rock in favour of "pop-soul summer jams", a move that "feels like it's become more natural to them".