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The Mona Lisa (/ ˌ m oʊ n ə ˈ l iː s ə / MOH-nə LEE-sə; Italian: la Gioconda [la dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: la Joconde [la ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci.
The full Mona Lisa painting (English: Mona Lisa, Italian: La Gioconda, French: La Joconde) by Leonardo da Vinci, Louvre Main article: Mona Lisa Like other Florentines of their financial means, Francesco's family members were art lovers and patrons.
Joconde is the central database created in 1975 and now available online, maintained by the French Ministry of Culture, for objects in the collections of the main French public and private museums listed as Musées de France, according to article L. 441-1 of the Code du patrimoine [3] amounting to more than 1,200 institutions.
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
The creation of L.H.O.O.Q. profoundly transformed the perception of La Joconde (what the French call the painting, in contrast with the Americans and Germans, who call it the Mona Lisa). In 1919 the cult of Jocondisme was practically a secular religion of the French bourgeoisie and an important part of their self image as patrons of the arts.
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
La Joconde nue or Monna Vanna is a 1514–1516 charcoal drawing with white highlights by the school of Leonardo da Vinci. It is a semi-nude portrait of a woman, 28-by-21 inch in size. [ 1 ] The position of the subject's hands and body are almost identical to that of Leonardo's Mona Lisa , leading some experts to suggest this work may be a ...
Konody observed of the Isleworth subject that "[t]he head is inclined at a different angle". [29] Physicist John F. Asmus, who had previously examined the Mona Lisa in the Louvre and investigated other works by Leonardo, published a computer image processing study in 1988 concluding that the brush strokes of the face in the painting were performed by the same artist responsible for the brush ...